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"To Set the Darkness Echoing," on view at the
Grolier Club 15 May-27 July 2002, illustrates, through
poetry, drama and the novel, the extraordinary creativity of
Irish writers in the second half of the twentieth
century.
Organized decade by decade, the exhibition will document
the careers of outstanding Irish poets, playwrights and
novelists through their manuscripts, letters, photographs,
broadsides, books and art. The exhibition opens with Samuel
Beckett's manuscript notebook for Waiting for Godot
and proceeds up to the present with manuscript drafts of
poet Michael Longley's The Weather in Japan (winner
of the T.S. Eliot Prize for Poetry in 2000).
Other items on exhibit show the development of Seamus
Heaney's career, including manuscript drafts of "Digging,"
"Personal Helicon," "Death of a Naturalist," and "North" (on
loan from the poet), and one of only fifteen copies of the
rare artist's edition of Toome. The poet's Nobel
Prize medal will also be on view. Also on exhibit will be
Brian Moore's early "character notes" for Judith
Hearne; one of twenty-five copies of Thomas Kinsella's
rare early chapbook The Starlit Eye; original
work-sheets of the Belfast Group poets; a collection of poet
Medbh McGuckian's manuscript notebooks, as well as works by
poets Paul Muldoon and Derek Mahon; novelists Edna O'Brien,
William Trevor and John Banville; and the playwrights, Brian
Friel and Sebastian Barry.
"To Set the Darkness Echoing:" An Exhibition of Irish
Literature, 1950-2000 has been conceived as a sequel to
the Grolier Club's 1962 exhibition The Indomitable
Irishry, which focused on Irish literature from Yeats'
Mosada (1886) through Patrick Kavanagh's The Great Hunger
(1942). The current exhibition draws on the extensive Irish
literary collections of the Robert W. Woodruff Library of
Emory University, as well as on other institutional and
private collections. It has been curated by Grolier members
James O'Halloran, Ronald Schuchard and Stephen Enniss.
An illustrated
checklist of the exhibition is available.
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